{"id":10776,"date":"2019-01-09T19:04:11","date_gmt":"2019-01-09T18:04:11","guid":{"rendered":"https:\/\/librosdelzorrorojo.com\/manifestacions-civiques-i-pacifiques-lentrada-de-crist-a-brussel%c2%b7les\/"},"modified":"2019-01-30T17:44:57","modified_gmt":"2019-01-30T16:44:57","slug":"manifestacions-civiques-i-pacifiques-lentrada-de-crist-a-brussel%c2%b7les","status":"publish","type":"post","link":"https:\/\/librosdelzorrorojo.com\/ca\/manifestacions-civiques-i-pacifiques-lentrada-de-crist-a-brussel%c2%b7les\/","title":{"rendered":"Manifestacions c\u00edviques i pac\u00edfiques"},"content":{"rendered":"

L\u2019entrada de Crist a Brussel\u00b7les
\n<\/strong>
\nPer \u00c1ngel Burgas, Blog Llibres al repl\u00e0, 2018<\/span><\/strong><\/p>\n

Aquells que seguiu aquest ressenyador, us haureu adonat de la tirada que t\u00e9 cap a \u00e0lbums il\u00b7lustrats que referencien (es basen en, sorgeixen a partir de, homenatgen o indaguen en) obres, autors\/es, o estils de l\u2019art. Cl\u00e0ssic o contemporani. \u00c9s una de les meves passions; vinc d\u2019una formaci\u00f3 universit\u00e0ria art\u00edstica i jo mateix m\u2019hi he dedicat en una temporada de la meva vida creativa. Les relacions entre l\u2019art i la il\u00b7lustraci\u00f3, especialment en els \u00e0lbums, \u00e9s un dels meus temes predilectes. En aquest mateix bloc en podeu trobar bones mostres i en faig refer\u00e8ncia a pr\u00e0cticament totes les meves ressenyes.<\/span><\/p>\n

Dit aix\u00f2, saber que Zorro Rojo publicava un \u00e0lbum de l\u2019itali\u00e0\u00a0<\/span>Andrea Antinori\u00a0generat a partir d\u2019una obra del belga James Ensor (Ostende 1860-1949), em va cridar poderosament l\u2019atenci\u00f3. Es tracta d\u2019una de les obres m\u00e9s conegudes d\u2019Ensor, \u201cL\u2019entrada de Crist a Brussel\u00b7les\u201d, pintada el 1888 i que es troba al Museu Paul Getty a C<\/span>alif\u00f2rnia. Que la pintura esmentada \u00e9s la base de la hist\u00f2ria que narra i il\u00b7lustra Antinori \u00e9s m\u00e9s que evident, i no nom\u00e9s en el t\u00edtol de l\u2019\u00e0lbum (que, com veieu, \u00e9s el de l\u2019obra) sin\u00f3 en la reproducci\u00f3, al complet o al detall, de la pintura que apareix 5 vegades entre les seves p\u00e0gines. En les dues primeres, l\u2019obra d\u2019Ensor \u00e9s reprodu\u00efda dins d\u2019un marc dibuixat per l\u2019il\u00b7lustrador i est\u00e0 sent observada per un personatge dibuixat en blanc i negre. Ens trobem dins d\u2019un museu, doncs, i en certa manera la ficci\u00f3 (el dibuix) es disposa a \u201centrar\u201d dins del quadre. Un dels aspectes que em resulten m\u00e9s interessants \u00e9s la manera com Antinori ha seq\u00fcenciat aquesta relaci\u00f3 realitat (quadre)\/ ficci\u00f3 (la seva hist\u00f2ria): despr\u00e9s de 4 imatges d\u2019Ensor (l\u2019espectador s\u2019hi va apropant, com si cada cop hi estigu\u00e9s m\u00e9s a la vora), entrem en el m\u00f3n de l\u2019autor a trav\u00e9s de paisatges (muntanya, desert, mar, ciutat) i personatges dibuixats a partir dels que apareixen al quadre original.<\/span><\/p>\n

Tant al quadre com a l\u2019\u00e0lbum, Crist arriba a la capital belga damunt d\u2019un ase igual que ho va fer a Jerusalem segons les Escriptures, per\u00f2 en una \u00e8poca contempor\u00e0nia (ja hi ha monuments, i edificacions, i mitjans de transport, i instruments musicals, i micr\u00f2fons i fins i tot socialisme!). Els habitants de Brussel\u00b7les, comandats per l\u2019alcalde, preparen la benvinguda a Crist i organitzen activitats, actes socials i \u00e0pats per a reverenciar-lo. A la il\u00b7lustraci\u00f3 n\u00famero 25 torna a apar\u00e8ixer Ensor, en aquest cas nom\u00e9s el seu nom escrit en un sobre: se\u2019l convida a la festa de benvinguda de Crist a la ciutat. No nom\u00e9s a ell: tamb\u00e9 s\u2019hi convida al pintor Ren\u00e9 Magritte (posterior a Ensor) i a d\u2019altres belgues prominents. L\u2019obra real d\u2019Ensor torna a apar\u00e8ixer a la imatge n\u00famero 31, quan esdev\u00e9 l\u2019entrada definitiva i, ara s\u00ed, podem recon\u00e8ixer en la pintura moltes de les figures que Antinori ha recreat per explicar-nos aquesta deliciosa\u00a0Parade<\/em>.<\/p>\n

Perqu\u00e8 l\u2019\u00e0lbum \u00e9s un goig del principi al final. L\u2019autor ens mostra i ens parla d\u2019un munt de coses a trav\u00e9s del seu homenatge a Ensor. Primer de tot constata la modernitat de la pintura del belga, la seva riqu\u00edssima complexitat i les seves m\u00faltiples lectures (tamb\u00e9 pol\u00edtiques i socials). Ho fa amb un dibuix senzill i net amb llapis de colors aquarel\u00b7lables i grafit; una paleta ampl\u00edssima i molt colorista; amb figures surrealistes, expressionistes i fantasioses (moltes extretes directament de l\u2019obra d\u2019Ensor) i algunes perspectives espectaculars com la del teatre en picat, la del mar o la de la gran lluna. Resulta un plaer perdre\u2019s entre la gentada i els espais. Em recorda (ja ho fa la pr\u00f2pia obra d\u2019Ensor) la coneguda Fasnacht del Carnaval de Basilea (Su\u00efssa) amb les seves m\u00e0scares exagerades i les seves bandes de m\u00fasica. I s\u00ed, tot plegat t\u00e9 un aire de gran carnestoltes, de celebraci\u00f3 de la vida a peu de carrer; aire de comunitat en estat joi\u00f3s, de barreja multicultural i intergeneracional; aire de conflu\u00e8ncia de voluntats i de recerca de llibertat\u2026<\/p>\n

Enteneu-me: en aquest cas i des de la nostra perspectiva pol\u00edtica de pa\u00eds, \u00e9s impossible no fer una refer\u00e8ncia al moment i les circumst\u00e0ncies. \u00c9s una casualitat que el llibre d\u2019Antinori aparegui ara. Les manifestacions pac\u00edfiques i festives, la ciutat de Brussel\u00b7les i el clam d\u2019una societat\u2026 \u00c9s massa agosarat fer una comparaci\u00f3 de Crist amb qui tots penseu, \u00e9s clar. A m\u00e9s a m\u00e9s, ara ell ja no hi \u00e9s, a Brussel\u00b7les! L\u2019autor, que havia viscut una temporada a Barcelona, hi ha tornat per signar llibres aquest Sant Jordi 2018. Citar\u00e9 un fragment de la darrera p\u00e0gina del llibre: \u201cI ara que la festa s\u2019ha acabat? Si hem de jutjar per la situaci\u00f3, sembla que ha arribat l\u2019hora de marxar! (\u2026) i tota la resta s\u2019han adjudicat un ase cadasc\u00fa i s\u2019acomiaden de Brussel\u00b7les per anar-se\u2019n D\u00e9u sap on\u201d.<\/p>\n

–<\/p>\n

Aconsegueix el teu exemplar aqu\u00ed.<\/a><\/span><\/p>\n

 <\/p>\n

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